Many people regard the papering of ceilings with horror. In reality they are easier to deal with than walls because they are flat, do not have any awkward angles (except in rooms with sloping ceilings and dormer windows), and have few obstacles attached to them apart from the occasional light fitting(fixture), which can in any case usually be removed quite easily.
The only thing that takes getting used to when papering ceilings is working on an upside-down surface. The basic technique is no different from working on walls. The wall covering is simply positioned, brushed into place and then trimmed where it meets adjoining surfaces.
The most important thing to plan carefully is access equipment that will safely allow a complete length to be hung across the room. Nothing is more dangerous than attempting to step off of the chair; proper access is a must. The best solution is to use scaffold boards or lengths of staging, supported by stepladders, trestles or home-made supports to create a flat, level walkway spanning the room from wall to wall at a height that allows the ceiling to be reached comfortably. It will take only a few seconds to reposition after hanging each length, ready for the next.
This is also a job where an additional pair of hands will be a big help, at least before gaining the knack of supporting a concertina of pasted wall covering with one hand while:.-rushing it into position with the other— this can be done only with practice.
The first length should he hung to a guideline on the ceiling. The best way of marking this is with a chalked line against the ceiling at both ends snapped against it.
1. Paste the wall covering in the usual way, but fold it up concertina-fashion with the starting end of the length folded over on itself. Lining (liner) paper has been used here.
2. Hang the first length to a chalked line just less than the width of the call covering from the side wall. Support the folds on a spare roll of wall covering from the side wall. Support the folds on a spare roll of wall covering.
3. Trim the overlaps at the ends and along the side wall. Then hang the second length in the same way, butted up against the edge of the first length.
4. On meeting a pendant light fitting (fixture) pierce the wall covering over its centre and make a series of radial cuts outwards front the pierced point.
5. With the power turned off at the unscrew the cover and trim the tongues off, flush with the base of the fitting. Replace the cover.
6 Where the ceiling runs into an alcove, CIA the wall covering in line with the sidewall of the recess and brush it into place.’
The shape of an arch makes it impossible to get a pattern match along the curved join. It is best to choose a wall covering with a small design motif and a random pattern, to use different but complementary designs for the face walls and the arch surface, or to use lining (liner) paper inside the arch and paint it a plain colour.
To paper an arched recess, cover the face and hack walls first turning cut tongues of wall covering onto the arched surface. Then cover the arch surface as described below.
To paper a through archway, hang the wall covering on the two face walls and trim out the waste to leave an overlap of about 25 mm in all around. Make cuts in the edge so that the tongues can be turned on to the arch surface. Then cut a strip of wall covering a traction narrower than the width of the arch surface and long enough to cover it in one piece, and brush this into place. Work from the bottom of one side upwards to the top of the arch, and then down the other side. Always use special overlap adhesive with washables and vinyls.